My first goal for the final draft of my paper is to finish the second half of it. My first draft only addressed the movie Call Me by Your Name, but it did not fully discuss the movie Farewell My Concubine. In the second half of the paper, I will claim that with the historical story “Farewell My Concubine” as a underlying model for this movie, we could conclude that the main character Dieyi has fit himself into the character of the woman he is playing in the historical opera “Farewell My Concubine” , so his love for his stage partner resembles more to a woman’s love than a man’s love. Even though this story happens between two men, we could not assume that it is a typical male homosexual movie addressing men’s attraction to other men.
My second goal is to make clear the underlying model/story for Call Me By Your Name. In the first draft, I mentioned pederasty because I thought of the age difference between Elio and Oliver, but I did not have a pederasty story. I also mentioned Alexander and his lover because the movie name “Call Me by Your Name” comes from this source, but I still haven’t found any other direct evidence supporting that Elio and Oliver are like Alexander and Hephaestion, so this still does not constitute a complete model. I will continue to search for other stories or dig deeper into the Alexander and Hephaestion story to find the best model for this movie.
The last goal would be to refine my analysis. The previous draft was very sketchy in that I did not fully develop my claims and argumentation. I did not describe fully the distinctness of the love between Elio and Oliver, and many implications to ancient Greek was still not addressed. I only talked about a few minor details of the movie. At the same time, my argument for pederasty is still underdeveloped, as I mostly only pointed out their age difference but overlooked their personal attributes which might or might not support this argument.
